Home is like: when you have to go there, they have to take you in.

Noir


8
Mar 10

Kirill Ganin

Kirill Ganin describes his theater as the conceptual theater. To his friends and supporters, who include some prominent Russian theater directors, he is an erotic artist of some promise. The Russian government takes a dimmer view. Ganin, the federal prosecutor says, is a pornographer who belongs in prison. Sexual innuendo and even partial nudity in the Russian theater were virtually unknown until the late 1980s, when President Mikhail Gorbachev’s reforms loosened the censor’s grip. Ganin was the first director, who staged a production featuring nudity, body painting and sexual acts at a popular Moscow nightclubs and theaters. The most famous scandal performance named as “Lenin in Sex” was devoted to intimate confessions of Lenin’s lovers. He is planning further productions and promises they will be as spicy as the others. “I am theatrical pervert”, Ganin told, “Even I have to stage ‘The Cherry Orchad’ by Anton Chekhov, I’d be able pervert even that.” “I do whatever I want and cannot do it any other way. After all, it may be pornography for other people, but not for me. If someone doesn’t feel comfortable during my productions, they shouldn’t come.”

Lolita from Visura Magazine Issue #8


28
Feb 10

Dean & Britta

myspace



11
Nov 09

Noir Rules.

pulp fiction PulpFictionnice 1000 px chewed-up poster (enlarge).
Video: Miserlou - Taken from the film “A Swingin Affair” released in 1963.

Miserlou, a song made famous by Dick Dale & The Deltones: Dale Dick Dale (born Richard Anthony Monsour on May 4, 1937, in Boston, Massachusetts) was a surf-rock guitarist, known as “The King Of The Surf Guitar”. He experimented with reverberation and made use of custom made Fender amplifiers, including the first-ever 100-watt amp. Dale was born to a Lebanese father and a Polish mother, and moved from Massachusetts to Orange County, California in 1954. Among his early musical influences was his uncle, an oud player performing belly dance music.

The song was first performed by the Michalis Patrinos rebetiko band in Athens, Greece in 1927. As with almost all early rebetika songs (a style that originated with the Greek refugees from Turkey), the song’s actual composer has never been identified.


4
Nov 09

Dum Dum Girls

dee dee dum dum

Dee Dee - Dum Dum Girls

dee dee - dum dum girls2

myspace.com | subpop

This is an LA noirish band, and I like loaf them. According to SubPop who signed them – ‘blissful pop that falls somewhere between The Ramones and the Ronettes.’

Dum Dum Girls at Chop Suey in Seattle – cover of the Ronettes “Be My Baby”
Current lineup: Mike Sniper (Blank Dogs) on bass, Frankie Rose (Crystal Stilts) on drums, and Brandon Welchez (Crocodiles).

Dum Dum Girls – “Hey Sis” | Woodsist / Captured Tracks Fest | 7.04.2009
I like the gtr feedback at the beginning. It’s that low volume squeally type, my fave. Just reminded me of the story of how The Beatles accidentally ‘discovered’ feedback, at least for themselves, while recording ‘I Feel Fine’.

Buzz:
“This was the first day of Dum Dum Girls existence as a live band, but clearly they spent a lot of time working out the details, from the look — bangs, gorgeous Silvertone guitars and bass, extremely short black dresses and stockings — to the sound, which is somewhere between the Velvet Underground and ’60s girl groups. It was an impressive debut, hot and cool at the same time. I kept thinking, “this is what the Velvet Underground might sound like if all the members were Nico.” [Soundbites]
It was a crappy night in New York, with rain pouring all over the city and flooding the streets and gutters so that every passing car sprayed water over the sidewalk. The subway was backed up, resulting in grueling commutes. It was the fifth night of CMJ, and even the most hardened festivalgoers were beginning to show signs of fatigue. But as soon as I walked in and heard the Dum Dum Girls playing the Sub Pop/Hardly Art Showcase at the Mercury Lounge, all the hassles slipped away.
The band– a recent addition to the Sub Pop roster, with a debut full-length due in 2010– is actually just one woman, who goes by the stage name Dee Dee, and whoever happens to be backing her at the moment. At CMJ she had a band churning out lo-fi buzz-pop with the confidence of a road-worn crew, and they enlivened her catchy songs with a mix of Spectorian fantasia and Velvet Underground scuzz. Despite a generally chilly demeanor (she spoke seldom and quietly, usually with the feedback still ringing from the previous songs), Dee Dee projected a tough and imposing stage presence, and her set ended way too soon. [ Stephen M. Deusne,  at CMJ '09]
Dum Dum Girls, from Los Angeles, is the project of singer Kristin Gundred, who goes here by Dee Dee, and who sings tart lyrics in a sweet tone buried beneath layers of haze. She has a knack for flawless song construction, her rigor dating somewhere to the late 1950s. And unlike the Vivian Girls, who manage to muster a slight optimism with a similar toolbox, Dum Dum Girls never appear happy, almost gothically gloomy. “Blissed out buzzsaw” is the descriptor on the group’s MySpace page. [Jon Caramanica @ The NY Times]