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		<title>Kirill Ganin</title>
		<link>http://style.iamparis.com/archives/1157</link>
		<comments>http://style.iamparis.com/archives/1157#comments</comments>
		<pubDate>Tue, 09 Mar 2010 02:53:27 +0000</pubDate>
		<dc:creator>Brielle Chittim</dc:creator>
				<category><![CDATA[Noir]]></category>
		<category><![CDATA[Punk & Swank]]></category>
		<category><![CDATA[Kirill Ganin]]></category>

		<guid isPermaLink="false">http://style.iamparis.com/?p=1157</guid>
		<description><![CDATA[
Kirill Ganin describes his theater as the conceptual theater. To his friends and supporters, who include some prominent Russian theater directors, he is an erotic artist of some promise. The Russian government takes a dimmer view. Ganin, the federal prosecutor says, is a pornographer who belongs in prison. Sexual innuendo and even partial nudity in [...]]]></description>
			<content:encoded><![CDATA[<p class="dropcap-first"><a href="http://style.iamparis.com/wp-content/uploads/2010/03/Kirill-Ganin.jpg" rel="shadowbox[post-1157];player=img;"><img class="alignleft size-medium wp-image-1156" title="Kirill Ganin" src="http://style.iamparis.com/wp-content/uploads/2010/03/Kirill-Ganin-300x199.jpg" alt="" width="300" height="199" /></a></p>
<blockquote><p>Kirill Ganin describes his theater as the conceptual theater. To his friends and supporters, who include some prominent Russian theater directors, he is an erotic artist of some promise. The Russian government takes a dimmer view. Ganin, the federal prosecutor says, is a pornographer who belongs in prison. Sexual innuendo and even partial nudity in the Russian theater were virtually unknown until the late 1980s, when President Mikhail Gorbachev&#8217;s reforms loosened the censor&#8217;s grip. Ganin was the first director, who staged a production featuring nudity, body painting and sexual acts at a popular Moscow nightclubs and theaters. The most famous scandal performance named as &#8220;Lenin in Sex&#8221; was devoted to intimate confessions of Lenin&#8217;s lovers. He is planning further productions and promises they will be as spicy as the others. &#8220;I am theatrical pervert&#8221;, Ganin told, &#8220;Even I have to stage &#8216;The Cherry Orchad&#8217; by Anton Chekhov, I&#8217;d be able pervert even that.&#8221; &#8220;I do whatever I want and cannot do it any other way. After all, it may be pornography for other people, but not for me. If someone doesn&#8217;t feel comfortable during my productions, they shouldn&#8217;t come.&#8221;</p></blockquote>
<p><a href="http://style.iamparis.com/wp-content/uploads/2010/03/Kirill-Ganin_lolita.jpg" rel="shadowbox[post-1157];player=img;"><img class="aligncenter size-full wp-image-1158" title="Kirill Ganin_lolita" src="http://style.iamparis.com/wp-content/uploads/2010/03/Kirill-Ganin_lolita.jpg" alt="" width="750" height="550" /></a></p>
<p><a href="http://www.visuramagazine.com/vm/moscow-never-sleeps-gerd-ludwig" onclick="pageTracker._trackPageview('/outgoing/www.visuramagazine.com/vm/moscow-never-sleeps-gerd-ludwig?referer=');">Lolita from Visura Magazine Issue #8 </a></p>
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		<title>Last Night&#8217;s Party</title>
		<link>http://style.iamparis.com/archives/1154</link>
		<comments>http://style.iamparis.com/archives/1154#comments</comments>
		<pubDate>Sun, 07 Mar 2010 06:37:04 +0000</pubDate>
		<dc:creator>Brielle Chittim</dc:creator>
				<category><![CDATA[Punk & Swank]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Last Night's Party]]></category>

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		<description><![CDATA[
http://vimeo.com/lastnightsparty
http://lastnightsparty.com/
]]></description>
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<p><a href="http://vimeo.com/lastnightsparty" onclick="pageTracker._trackPageview('/outgoing/vimeo.com/lastnightsparty?referer=');">http://vimeo.com/lastnightsparty</a></p>
<p><a href="http://lastnightsparty.com/" onclick="pageTracker._trackPageview('/outgoing/lastnightsparty.com/?referer=');">http://lastnightsparty.com/</a></p>
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		</item>
		<item>
		<title>Four Tet</title>
		<link>http://style.iamparis.com/archives/1143</link>
		<comments>http://style.iamparis.com/archives/1143#comments</comments>
		<pubDate>Thu, 04 Mar 2010 15:18:28 +0000</pubDate>
		<dc:creator>Brielle Chittim</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Shoegaze]]></category>
		<category><![CDATA[electronica]]></category>
		<category><![CDATA[four tet]]></category>

		<guid isPermaLink="false">http://style.iamparis.com/?p=1143</guid>
		<description><![CDATA[There Is Love In You / Label: Domino / Release Date: Jan 2010
Kieran Hebden  &#124; myspace &#124; returns as Four Tet for There is Love in You, his fifth full-length album and first in nearly five years. Having kept busy with remixes of everyone from Radiohead to Madvillain, Hebden shows no sign of rust [...]]]></description>
			<content:encoded><![CDATA[<p class="dropcap-first">There Is Love In You / Label: Domino / Release Date: Jan 2010</p>
<p>Kieran Hebden  | <a href="http://www.myspace.com/fourtetkieranhebden" onclick="pageTracker._trackPageview('/outgoing/www.myspace.com/fourtetkieranhebden?referer=');">myspace</a> | returns as Four Tet for There is Love in You, his fifth full-length album and first in nearly five years. Having kept busy with remixes of everyone from Radiohead to Madvillain, Hebden shows no sign of rust on lead single Love Cry,&#8221; a lush, sprawling house jam that builds upon a jazzy drum loop over the course of its nine minute run time. The remainder of There is Love in Yous nine tracks should go a long way in demonstrating why Four Tet is one of the most dynamic electronic acts now.</p>
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		<item>
		<title>Ghostly Int&#8217;l &#8211; Faves Of The Decade</title>
		<link>http://style.iamparis.com/archives/1139</link>
		<comments>http://style.iamparis.com/archives/1139#comments</comments>
		<pubDate>Wed, 03 Mar 2010 15:21:41 +0000</pubDate>
		<dc:creator>Brielle Chittim</dc:creator>
				<category><![CDATA[Pop Cult Op-Ed]]></category>
		<category><![CDATA[Shoegaze]]></category>
		<category><![CDATA[electronica]]></category>
		<category><![CDATA[ghostly international]]></category>

		<guid isPermaLink="false">http://style.iamparis.com/?p=1139</guid>
		<description><![CDATA[
Ghostly&#8217;s 110
Our Favorite Albums of the Decade
C L I C K   T O   V I E W    L I S T 
]]></description>
			<content:encoded><![CDATA[<p class="dropcap-first"><a class="option" title="Ghostly" rel="shadowbox" href="http://ghostly.com/media/top110" onclick="pageTracker._trackPageview('/outgoing/ghostly.com/media/top110?referer=');"><img src="http://static.ghostly.com/assets/media-page/110.jpg" border="0" alt="" width="350" /></p>
<h1>Ghostly&#8217;s 110</h1>
<p><strong>Our Favorite Albums of the Decade<br />
C L I C K   T O   V I E W    L I S T </strong></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Syntaks &#8211; Blue Sunshine Video</title>
		<link>http://style.iamparis.com/archives/1137</link>
		<comments>http://style.iamparis.com/archives/1137#comments</comments>
		<pubDate>Wed, 03 Mar 2010 15:13:49 +0000</pubDate>
		<dc:creator>Brielle Chittim</dc:creator>
				<category><![CDATA[Shoegaze]]></category>
		<category><![CDATA[electronica]]></category>
		<category><![CDATA[Syntaks]]></category>

		<guid isPermaLink="false">http://style.iamparis.com/?p=1137</guid>
		<description><![CDATA[The hypnotic video for Syntaks&#8217; &#8220;Blue Sunshine&#8221; &#8212; a gorgeously lumbering standout from the Danish duo&#8217;s Ghostly International debut, Ylajali &#8212; is an all-to-appropriate analog to the pair&#8217;s approach to music-making: a wash of color, fleeting glimpses of half-remembered imagery both heavenly and apocalyptic, and vertiginous shifts in scale superimposed over its creators&#8217; faces. Syntaks&#8217; [...]]]></description>
			<content:encoded><![CDATA[<p class="dropcap-first">The hypnotic video for Syntaks&#8217; &#8220;Blue Sunshine&#8221; &#8212; a gorgeously lumbering standout from the Danish duo&#8217;s Ghostly International debut, Ylajali &#8212; is an all-to-appropriate analog to the pair&#8217;s approach to music-making: a wash of color, fleeting glimpses of half-remembered imagery both heavenly and apocalyptic, and vertiginous shifts in scale superimposed over its creators&#8217; faces. Syntaks&#8217; Jakob Skott directed the clip, and his clear love of its subject matter (his musical collaborator and romantic partner, Anna Cecilia) is apparent throughout.</p>
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